Jennifer Donnelly and me at the ALAN Conference, November 2015. |
Andi is very troubled. Her brother, Truman, is dead, and Andi feels she killed him. Her mother loses herself in her paintings, and all of her paintings are of her brother, Truman. Her father is absent and appears not to care. The only way Andi is surviving is by pills and her music. Andi is also about to flunk out of her prestigious school - until her father has her mother admitted to a mental health facility and forces Andi to accompany him to Paris for winter break.
While visiting her father's friends, Andi finds a guitar and hidden within the case is a diary of a girl. Alex is a young girl who lived in Paris in the 1770s. Also hidden in the guitar case is the picture of a young boy who looks startlingly like Truman. Andi realizes from the diary that Alex becomes the caretaker for the young boy, Louis-Charles, the king's third child and grows to love the boy. Andi is startled and chilled because Andi finds that her life and Alex's life become intertwined. Even stranger, Andi realizes that Alex wants Andi to know her story and to finish the job that Alex has started. Andi becomes obsessed with Alex's story and the time period of the French Revolution.
While Andi is working on her final thesis paper, she learns more about Louis Charles, a musician named Armade, and herself. One of the most powerful themes in the book is the thought that the French Revolution didn't happen because of power hungry people like Robespierre or Marat. "No, not because of Robespierre and Marat. Or people like them. Because of people like us."
People like us who don't do anything to stop the bad things from happening. People like us who lock ourselves away from the tragedies of the world and pretend they aren't happening. Let's make a change.